BOBBY HURRICANE SPENCER "HURRICANE UNLEASHED"

Vocalist, saxophonist and songwriter/arranger, bluesman Bobby Hurricane Spencer started his musical career in Oakland but now calls Los Angeles home. He cut his teeth in the Chitlin’ Circuit of the Bay Area, anchored dead center in the horn section of the funk bands of Johnny Tolbert and De Thangs and Marvin Holmes and the Uptights.Spencer played in such historic 7th Street soul pumping clubs as Al's House of Smiles, the Showcase, the Sportsman, Ester's Orbit Room and the Continental Club.  Later came the Shalamar and Troyce Key's famous Eli's Mile  High Club.One night on the bandstand, after a particularly hot sax solo, J.J. Bad Boy Jones turned to the tenor man and said, "Bob, you the Hurricane!". It stuck and that’s what he’s been called ever since.His trademark sound can be found on records by Timex Social Club, Sonny Rhodes, JJ Bad Boy Jones, Jimmy McCracklin, just to name a few and his original music appears on the Grammy nominated Force of Nature album by Koko Taylor.When not busy as a session player in Oakland, recording for Fantasy Records’ Ray Shanklin with Little Johnny Taylor, Rodger Collins and others, you could find Spencer playing behind such legends as Etta James, the Whispers, Carla Thomas, Lowell Fulsom, and ZZ Hill and opening for musicians like Bobby Blue Bland, Otis Redding, Marvin Gaye, The Temptations, and Smokey Robinson. A little known fact, Rolling Stone magazine recently revealed that an early festival where Spencer performed was an historic event as documented in the Untold and Deeply Stoned Story of the First U.S. Rock Festival where the Doors, Byrds and nearly 30 other bands made history at Fantasy Fair & Magic Mountain on Mt. Tamalpais. BOBBY HURRICANE SPENCER
 

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LEVIN BROTHERS "LEVIN BROTHERS"

TONY LEVIN: Since graduating from the Eastman School of music, Tony has become the bass and Chapman Stick voice for Peter Gabriel and King Crimson. In addition, he has played on notable recordings for John Lennon, Pink Floyd, Lou Reed, Alice Cooper, Dire Straits, Carly Simon, Judy Collins, and many others. Tony has major jazz credentials, having worked with Buddy Rich, Steps Ahead, L'Image, Gary Burton, Chuck Mangione, and Herbie Mann. He currently records and tours with Peter Gabriel, King Crimson, Stick Men, and The Crimson ProjeKCt. PETE LEVIN: As a French Horn major, Pete earned a master’s degree from the Juilliard School. In the early ‘70s he switched to keyboards, becoming a synthesizer specialist in the New York City recording studio scene. Over the years, he has graced hundreds of jazz and pop recordings and performances by the likes of Miles Davis, Gil Evans, Jimmy Giuffre, Dave Brubeck, David Sanborn, Joe Louis Walker, Don Elliott, Freddie Hubbard, Annie Lennox, Charles Mingus, Jaco Pastorius and Wayne Shorter. He currently records with his organ trio with Dave Stryker and Lenny White. LEVIN BROTHERS
 

SWING REPUBLIC "THE RETURN OF...ELECTRO SWING REPUBLIC"

Electro swing projekt with old jazz and a positive vibe. Members: Per Ebdrup and Karina Kappel. The debut album "Electro Swing Republic" was released 7th feb 2011 on Freshly Squeezed. The album second "Midnight calling" was released 5th november 2012, also on Freshly Squeezed. The tracks on this album are original compositions written and performed by Swing Republic and additional musicians. Produced and mixed by Per Ebdrup. Co-produced and Co-mixed by Jakob Sejer-Nielsen.
Swing Republic combines the spirituality and emotional expressions from the past with the electronic technology of the future. Open-mindedness of the hippie culture and hypnotic rhythms of industry. A globalized and worldly mindset. "Emotional Technology" is one of the leading principles in the approach to the musical landscapes and cities of Swing Republic. In the city Techville the machines live with beautiful manipulation and physical rhythm. In Emotia the sound and shades from the past live in the shape of legendary jazz artists, old movies and with complexity in emotional communication. Ethnico City is home of percussion and many other instruments. They live in beautiful disharmony and mutual inspiration. Giant parties where inhabitants from the cities get together and mix with each other in a relaxed - yet intense atmosphere. SWING REPUBLIC
 

NOSTALGIA 77 AND THE MONSTER "MEASURES"

Some of the jazziest, most spiritual music we've heard from Nostalgia 77 in years – a great return to territory they started hitting towards the end of the last decade – and a record that's got a rich, organic sound right from the start! The album's a jazz set through and through –well-conceived with lots of modal rhythms, topped with soaring lines on saxes, trumpet, and flute – which are all held together by these richly-colored piano lines that create a lot of warmth, without ever softening the edges of the music. The approach is quite similar to some of the recent Gondawa recordings by UK contemporaries Matthew Halsall and Nat Birchall – and titles include "Measures", "Apple", "Thoughts To Geoff", "Scallywag", "Rules", and "Island In The Sun". NOSTALGIA 77
 

EMMA DONOVAN & THE PUTBACKS "DAWN"

Acclaimed indigenous vocalist Emma Donovan and Melbourne rhythm combo The PutBacks come together to bring you Dawn, an LP of hard hitting and heartfelt soul songs telling stories of grief, struggle and redemption. Dawn is a gritty, uniquely Australian record, simultaneously classic and contemporary. The songwriting is in turns optimistic, angry and melancholic, and on occasions bruisingly honest. The music is fluid, live and raw, recorded in one room on eight channels of analog tape and the electric connection between Emma and the band comes through in every beat.The PutBacks have established themselves as one of the premier funk outfits in Australia. In their career they have opened for The Bamboos, Electric Empire and Clairy Browne & The Bangin’ Rackettes, as well as international funk and soul icons The Menahan Street Band featuring Charles Bradley, and Booker T Jones. In May 2012 The PutBacks were chosen as the house band for the infamous Prince after party at the Hi Fi Bar. The PutBacks were also house band for Arts Centre Melbourne’s 2011 and 2012 Big Notes production, featuring the likes of Emma Donovan and Mantra. EMMA DONOVAN & THE PUTBACKS
 

KARL W. DAVIS AND THE SWEETPEAS "IT'S HIGHT TIME"

Born in Folkston (Georgia,USA), Karl W. Davis grew up during a time of soul music and social change in the south. As a result of his exposure to this golden era of gospel crossover radio hits, Karl developed a singing style part fire and brimstone preacher, part velvet voiced lover and part down home working class blues man. Each phrase is delivered with such intensity and emotion there is no doubt it is the absolute truth. As a songwriter and performer, Karl W. Davis is a soul man of deep sensitivity, incapable of pretense, who is a genuine example of the undeniable power that only a true messenger of love can wield responsibly. When Karl envelops his audience with the warm embrace of his voice and his authentic charismatic presence, hope is generated, shining smiles prevail. And if even one heart is touched in a real way, then his goal as a bringer of joy is a complete success ! The Sweetpeas A band of brothers brought together by common goals, inspire Karl to new heights, beyond what he may have previously imagined and reate original compositions while respectfully showing their love for the greatest soul, blues and funk artists. KARL W. DAVIS AND THE SWEETPEAS
 

LARRY GRIFFITH "HARD AS IT GETS"

Larry was brought up in the inner city of Cincinnati, Ohio by a single parent along with nine other siblings. The dilapidated three tiered tenement literally shook with the radio and vinyl record sounds of everything from blues, gospel, and soul, to jazz. It was in this fertile, eclectic musical environment that 9 year old Larry first picked up a pen and copied the lyrics of Willie Dixon, Bob Dylan, Laura Nero, Billy Strayhorn and countless others. Larry marveled at these wonderful storytellers and it eventually led him to write his own stories. Two brothers returning from the military armed with funds from the GI Bill allowed the Griffith family to upgrade to the Walnut Hills section of Cincinnati, which housed the legendary King Records. Seeing great artists in the neighborhood like Freddie King, Bill Doggett, Hank Ballard, Ivory Joe Hunter and even the Godfather of Soul himself James Brown was an ordinary occurrence. As a matter of fact it was Wesley Hargrove of Hank Ballard’s Midnighters who first took 16 year old Larry into Federal Records recording studio to drum on several demos. This led to stints as a session drummer, weekend touring and a bird’s eyes view of the not so pretty side of the business all while still in his teens. Jimi Hendrix’s Band of Gypsys had a profound effect on Larry because of the way Jimi married sonic sounds with futuristic, introspective lyrics. It was also around this time that he fell in lifelong love with the lyrical phasing of John Coltrane. Relocating to Atlanta, Georgia in the 1990s, Larry discovered then quickly became immersed in the thriving Atlanta blues scene. It was here he had finally found a musical genre wide enough to accommodate his eclectic tastes. Still, it wasn’t until the early 2000’s that “the dream” turned everything on its ear. While staying at a backwoods motel in Clarksdale, Mississippi, Larry who previously had no designs on or inclinations toward guitar experienced the same dream three nights in a row. In “the dream”, he was onstage ripping it up on guitar like a man possessed, working the deep delta juke joint crowd into a sweet, sweaty frenzy. Fully awakened, Larry came back to Atlanta and told his friend and bandmate, Chicago Joe Jones of his strange dream. It was Joe who then gave Larry his first guitar, a no-name something or other that he had found at a garage sale for a $1. From these humble beginnings and equipped with the visual of the Mississippi delta dream, Larry strapped on, plugged in, turned up and began chipping away. LARRY GRIFFITH
 

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KAREN SOUZA "ESSENTIALS II"

While Karen Souza´s voice may sound like it was made for jazz, she is in fact a relative newcomer to this genre of music. Her career began under various psydeonymns as she provided vocal support to a number of electronic music producers and was part of several International House hits. She can be found singing under these pseudonymns on albums such as Pacha Ibiza, FTV (FashionTV), Paris Dernier and Hotel Costes, privé.She had just begun to flirt with the idea of singing to jazz when she was contacted and invited to join the production of the first volume of the series, Jazz and ´80s. No one imagined the success that the series would have almost over night. The producer of the series knew a good thing when he saw it and he quickly shared his enthusiasm in the project with Karen and made her and her voice an important part of each album. Now that Karen had gotten her toes wet in the studio, her label decided it was time to dive in and they sent her and the rest of the Quartet on tour to Brazil in late 2009. The visit was a great success and Karen came into her own onstage, gaining confidence and ever tuning and refining her singing. On the heels of the Brazilian adventure, the label again stepped in and told Karen it was time to focus on her own material. To this effect they sent her to Los Angeles for a few months to work with and learn from some of the best songwriters in the business. It was there that she studied under the guidance of Pam Oland , a multiple Grammy nominated songwriter who has worked with stars like Whitney Houston, Earth, Wind and Fire and Aretha Franklin, to name a few. This period gave new direction to Karens own composing and songwriting and has helped her develop her signature sound while continuing to please fans with her characteristic lush vocals. KAREN SOUZA

DOM AND THE IKOS "DOM AND THE IKOS"

Wowing audiences wherever they go and currently making serious

waves in the UK music scene, Dom & the Iko’s are a London based 5 piece with a heavy  pedigree.With stagecraft honed from a two year residency at Ronnie Scott’sJazz Club, the band bring the classic sound of New Orleans funkand RnB right into the 21st century, led by killer piano Dom Pipkin, a man with a blues heritage reaching from appearances with Zigaboo Modeliste, Todd Sharpville, Eric Bibb, Pee Wee Ellis, Ray Davies and Paul Jones, to name just  a few.   Dom was recently featured as a solo piano player on the Paul Jones Radio 2 blues show and was hired to play privately for the late Stanley Kubrik.   He’s also opened up for Dr John, and the late Screamin’ Jay Hawkins.The band mix their own original songs with the biggest party numbers from the genre, showcasing some truly virtuoso band playing.  Every show builds to fever pitch, and “cooks up a steaming musical brew that has the crowd dancing and clapping” - Classic Rock Blues Magazine. DOM AND THE IKOS
 

THE JOE McQUEEN QUARTET "THE LEGENDARY JOE McQUEEN QUARTET"

Joe McQueen has been performing for over 80 years and at the seasoned age of 95, he's not slowing down! Joe McQueen continues to perform over 60 shows a year with his quartet featuring Ryan Conger on Hammond organ, Brad Wright on guitar, and Dr. Don Keipp on drums. The quartet currently has two albums in the works set to be released in late 2014!Arriving in Ogden, Utah on December 7th 1945, Joe McQueen originally intended to play a weeks worth of gigs at the famed Porters And Waiters Club, but wound up staying and making Utah his home.Over the years, Joe McQueen has had the distinction of being the first African American Musician to play white clubs in Ogden Utah, as well as being the first African American to attend white clubs in Salt Lake City, when Dizzy Gillespie put Joe and famed jazz DJ Al Jazzbo Collins on the guest list.During his lifetime, Joe has had the opportunity to perform with such noted legends as Count Basie, Duke Ellington, Ray Charles, Nat King Cole, Louis Armstrong, Cab Calloway, Lester Young, Charlie Parker, and many many others.In 2002, Utah Governor Mike Leavitt declared April 18th to be Joe McQueen Day. Over the past 12 years, this date has been marked with many concerts, celebrations and events.THE JOE McQUEEN QUARTET
 

FINI BEARMAN "PORGY & BESS"

Fini Bearman’s music melds influences as diverse as Brazilian and other South American styles, Western Classical traditions, modern jazz and contemporary popular music into and arresting and unique personal sound. Sometimes dealing with settings of poetry and other pre-existing texts, other times with original lyrics or open, wordless evocations, this music is honest yet witty, mixing lush harmony and orchestration with contemporary grooves.Fini has performed across Europe in a variety of musical constellations. Venues include Ronnie Scotts, the 606 Jazz Club, the Vortex, the Queen Elizabeth Hall, and the Barbican Center. She has also sung with her own band and as part of other ensembles at numerous music festivals including the London Jazz Festival, City of London festival and Howden Jazz Singers Festival. FINI BEARMAN
 

HURRICANE RUTH "BORN ON THE RIVER"

Hurricane Ruth is The Ultimate Blues Rock Experience!
Hurricane Ruth originates from central/southern Illinois, packing venues throughout the region. Critics and fans hail their shows as powerful, raw, emotional and dynamic. The band’s contagious energy is evident in their live shows. The center of this energy is Hurricane Ruth herself. Ruth is a captivating performer, who will grab your attention from note one and never let you go! Willie Dixon once told Ruth “You’re the only hurricane I can appreciate”. Hurricane Ruth LaMaster started performing professionally in 1979, and found instant success. She acquired the name Hurricane Ruth from the fact that no one believed that such a large sound could come out of such a small woman! Ruth has performed with Maynard Ferguson and his orchestra, Adrian Belew, and Louis Belson. Ruth has opened for John Lee Hooker, B.B. King, Willie Dixon, Taj Mahal, Ramsey Lewis Trio, Sam & Dave, Fenton Robinson, and most recently; Kenny Wayne Shepherd, Royal Southern Brotherhood, and Ronnie Baker Brooks. Ruth’s vocals are deeply rooted in traditional blues, but make no mistake, she can rock the house! Ruth has opened for renowned rockers: Heart, Judas Priest, Joan Jett and The Blackhearts & Steppenwolf, just to name a few. Ruth is the total vocal package! Ruth is joined by: David Lumsden (lead guitar), Gary Davis (bass guitar), and Jim Engel (drums). These three excellent musicians perfectly complement Ruth’s vocals. Born on the River, Hurricane Ruth’s 2nd album is an eclectic group of eleven original songs that was released in September 2014. The title track and a few of the other songs were inspired by Ruth’s hometown of Beardstown, Illinois. Born on the River is intense and heavy with the same energy as a live Hurricane Ruth performance. It is receiving international acclaim, and has been nominated for the IBC Best Self-Produced CD 2014. Born on the River has consistently ranked on The Roots Music Report. HURRICANE RUTH
 

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ERIN HARPE & THE DELTA SWINGERS "LOVE WHIP BLUES"

Okay, imagine this.... Country-blues singer/guitarist Erin Harpe moves from D.C. to Boston, where her Memphis Minnie influences get mixed up with some electro-booty-shakin' attitude. Add in the solid bass of Jim Countryman, tasty drums and eerie vocal harmonies of Bob Nisi, and the electrified sounds of longtime Boston harp dog Richard "Rosy" Rosenblatt, and what do you get? That's Charles River Delta Blues.... y'all. With her new band Erin Harpe & the Delta Swingers, Erin and the gang give the music a new twist to create a genre they call “Charles River Delta Blues”, which combines delta soul and spirit with Boston's rich blues heritage, while bringing it to the 21st century. Erin Harpe & the Delta Swingers have already been receiving accolades, including recently winning the 2010 Boston Blues Challenge, getting a Boston Music Award nomination for Blues Artist of the Year, as well as having the honor of opening for blues legends Honeyboy Edwards and James Cotton. The band has just returned from the International Blues Challenge in Memphis (where they made it to the semi-finals!), and are now working hard on their debut album! ERIN HARPE & THE DELTA SWINGERS
 

THE JIVES UK "WHEN ONE DOOR CLOSES..."

Baz and Al met in hard driving rhythm and blues quintet “The AM5”, and have played together as a duo since November 2013 Big Baz: (Vocals, Slide Guitar, Guitar, Footstomp), was a stalwart of the rock scene in Essex in a band called Lizard ( who also released a C.D. “The Power Of One” ) before joining the AM5. He counts his main influence as Paul Rodgers in the vocal context. But for guitar styles Rory Gallagher etc. Al E.Bye: (Harmonicas, Percussion), was in several blues bands, punk blues bands ( The Jukes) and blues swing band The Chicago Bearcats,( who had a 12″ E.P. released on Carve Up records which was distributed by Red Lightning Records ) before forming the AM5. He counts his main influences as Lester Butler from The Red Devils, Papa Lightfoot, and Guy Forsyth, etc. Now they have joined together again in a Blues, R & B, and Rock and Roll duo: The Jives UK April 2014 debut album recorded and released “When One Door Closes” with a variety of covers from the likes of Tony Joe White, The Beatles, Howling Wolf, Sonny Boy Williamson, Jimmy Witherspoon, Seasick Steve, Free, etc. was followed up by a mini tour of Belgium and various gigs around the south east of England. The next album is already being put together with half originals and half covers. Synopsis Expect to hear the sounds of Fat Possum Records, raw and unpolished blues. The sounds of Rory Gallagher, Seasick Steve, Houndog Taylor, Sonny Boy Williamson, Red Devils, etc.“It’s hard to say exactly what we are and what we do, Blues is definitely at the core, but we’re huge fans of all sorts of American and English music and all of that comes through as well. Obviously, there are elements of traditional blues in what we do, elements of vintage rock and roll, rock, Essex R & B and all that sort of stuff. We always try to stay grounded in that traditional blues groove, and at the same time branch out and do as many different things as we can while still keeping it consistent with the sound we’ve developed.” THE JIVES UK
 

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