Although Meshell Ndegeocello scored a few hits early in her career, the
bassist, singer, and songwriter later opted to concentrate on more
challenging material by exploring the politics of race and sex, among
other topics. From her 1993 Maverick label debut through her releases of
the 2010s for Naïve, she built a discography of recordings that defied
classification through progressive mixtures of jazz, R&B, hip-hop,
and rock. Initially held in regard primarily for her bass playing and
bold lyrics, her songwriting, which often examined dark interpersonal
issues, was just as exceptional.Michelle Lynn Johnson, born on August 29, 1968, spent the first few
years of her life in Germany. Her father was both a military man and a
jazz saxophonist. She relocated with her family to Virginia in the early
'70s. As a youngster, Johnson developed an interest in music; during
her teenage years, she began to play regularly in the clubs of
Washington, D.C., but eventually settled down in New York City after a
stint of studying music at Howard University. By this point, she was
going by Me'Shell NdegéOcello — her adopted last name Swahili for "free
like a bird." After auditioning for several bands, including Living
Colour, NdegéOcello struck out on her own and often performed solo with
just a bass, drum machine, and keyboard. In the early '90s, she was one
of the first artists signed to Madonna's Warner-affiliated Maverick
label.NdegéOcello's debut album, 1993's Plantation Lullabies, was produced
with David Gamson, as well as with André Betts and Bob Power, and
involved input from a wide range of musicians, including DJ Premier,
Joshua Redman, Bill Summers, Wah-Wah Watson, and David Fiuczynski. An
impressive first album, it spawned the hit "If That's Your Boyfriend (He
Wasn't Last Night)" and received three Grammy nominations. A duet with
John Mellencamp on a cover of Van Morrison's "Wild Night," released a
year later, brought her more mainstream attention; it peaked at number
three on the Billboard Hot 100. MESHELL NDEGEOCELLO
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