Greenwich Village became Todd's new school, the Village Vanguard his
classroom, with Ahmad Jamal, Joe Henderson, Mel Lewis and Tommy
Flannigan among his many great professors. After that solid tutorial,
Todd chose Los Angeles as the stage from which to launch his career.
Los Angeles, with its rich and diverse music scene, provided Todd
with the opportunity to try different sounds and styles - Salsa, Samba,
South African and R & B. His fifteen years as resident keyboardist
for O.C. Smith's City Of Angels church has also added gospel to his
musical influences.Hunter considers himself an experienced "road warrior," having
traveled virtually all over the world. His tour with the Brian Setzer
Orchestra opened the House of Blues in Hollywood and made an appearance
on the David Letterman show. More recently he has performed with Whitney
Houston, Natalie Cole and Dionne Warwick on their Soul Divas tour. Todd
is currently working with Ms. Warwick on her worldwide tour, which has
included several shows in Brazil performing with the popular Brazilian
artists Ivan Lins, Emilio Santiago, Gal Costa, Jorge Ben and Teo Lima.Todd has also shared the stage with such music greats as Stevie
Wonder, Jeffrey Osborne, Gladys Knight, Kashif, Olivia Newton John, The
Spinners and Thom Bell, Gloria Estafan, Smokey Robinson and Billy
Preston. In the jazz idiom, he has played with some of the best in the
biz, including: Nancy Wilson, Billy Higgins, Kenny Burrell, Buddy
Collette, Les McCann, Diane Shuur, Diane Reeves, Gerald Albright, Ndugu
Chancler and Ronny Laws.TODD HUNTER TRIO
venerdì 26 agosto 2016
MARKEY BLUE "THE BLUES ARE KNOCKIN'"
The Nashville based duo of Markey and Ric
Latina have a combined performing/touring history that reads like a
“who’s who” in the entertainment industry. In
late 2012 while both performing with other artists as “side men”, they
found themselves booked on the same show at a small theater in
Murfreesboro, Tennessee. After
the show Latina reached out to Markey and suggested they join forces
and possibly write a few songs for an EP to sell at venues. The
Ric Latina Trio consisted of several different “top of the list”
touring musicians and Markey jumped at the chance to work with such
accomplished performers.Soon it was apparent this was fast becoming more than a weekend project and the Markey Blue band was formed. The duo soon landed a small booking agent and started to gather a local following. It was when Latina and Markey started to write their first song, they knew they were on to something. Markey says, “It’s a rare thing to find, but the writing process comes so easily for us. The ideas just flow.” And they kept flowing until Markey and Latina completed the raw material for their first album Hey Hey. Randy Chortkoff, CEO of Delta Groove Records, signed Markey Blue as its first project to their new artist promotion department.Hey Hey was released at #1
on the Debut Blues Chart, reached #1 on both the Tennessee Roots Music
Chart and Blues 411, held Top 10 on National Roots Music Chart and Top
25 on the Living Blues Chart. The band was named one of the Top 10 Emerging Blues Artists to Watch in 2015; Markey was named One of the Top 10 Blues Women to Soar in 2014. The album was nominated for the Blues Blast Awards Best Blues Debut Artist, the NIMA Awards Best Blues Artist and Best Live Performance, and was featured in blues/roots magazines world-wide. The
Duo was signed to both a national booking agency, Blues Pros Talent,
and signed a TV/Multimedia Publishing deal for song placement in movies
and television. MARKEY BLUE
Etichette:
Album,
Blues,
MarkeyBlue,
Musica,
Nashville,
Recensioni,
Roots
giovedì 25 agosto 2016
ZACH LARMER ELECTRIC BAND "INNER CIRCLE"
"In listening to Inner Circle, one is struck immediately by the
originality of guitarist Zach Larmer’s tone and style. Leading his
Electric Band on this CD, Larmer performs music that ranges from fusion
to post bop jazz without ever sounding like any of his predecessors.
The Miami-based guitarist heads a group that includes keyboardist
Tal Cohen, Juan Pablo Diaz and Jermaine Walden on bass, and Rodolfo
Zuniga as well as David Chiverton on drums. Along the way trumpeter
Brian Lynch, saxophonist Aldo Salvent and John Daversa (on EVI and
trumpet) make important appearances, but the focus is primarily on the
guitarist and his core quartet.
The set begins with “On The Dock” which has a funky bass line,
tricky rhythmic accents, some EVI, and plenty of fresh ideas from the
guitarist. Larmer plays quite lyrically on “Garden Of Eden.” The piece
evolves gradually while retaining its opening mood, becoming
high-quality fusion with the sound of rock and the improvising of jazz
blending together naturally.
“Same As It Ever Was” is a wistful piece that is a bit mournful,
featuring excellent playing by Larmer and Salvent on tenor. The bluish
“Inner Circle” is both catchy and complex, highlighted by some
rollicking moments.
Zach Larmer is heard at his most passionate on “I Left It Bayou”
which finds him pushed and inspired by the bass patterns. Larmer’s
explorative solo, one of his best of the set, is particularly individual
and creative. “Friedrichshain” has Larmer sharing the spotlight with
Brian Lynch. The solos and tradeoffs between guitar and trumpet are
quite colorful and heated. Inner Circle concludes with a lengthy version
of the set’s lone standard, “Softly As In A Morning Sunrise.” At a
tempo that is much slower for this song than usual, Larmer really gets
to stretch out, sounding both relaxed and spontaneous. ZACH LARMER ELECTRIC BAND
Etichette:
Album,
Band,
Funk,
Jazz,
JazzFusion,
JazzModern,
Musica,
Recensioni,
ZachLarmerBand
mercoledì 24 agosto 2016
HACKNEY COLLIERY BAND "SHARPENER"
A tour de force of trumpets, trombones, saxes, sousaphone, marching
percussion and electronics, the band are as inspired by contemporary
rock and electronica as they are New Orleans marching bands and the
traditional British brass bands to which their name pays homage.
Formed in 2008 out of a desire to play music that appealed to the feet
as much as to the ears, the band has rapidly gained an army of loyal
supporters, including radio support from Lauren Laverne, Gilles
Peterson, Craig Charles, Huey Morgan, Jamie Cullum, Rob Da Bank and John
Kennedy. Since the release of their eponymous debut in 2011, the
9-piece have blown their way into the public consciousness with their
energetic and passionate live shows, amassing fans worldwide and
reinventing the brass band sound for the modern age.
New LP Sharpener shows the band on fine form and more confident than
ever, with powerful new electronic elements and a dance floor
sensibility adding to the jazz, rock and soul for which they are known.
Building on the strength of their critically-acclaimed original writing,
Sharpener has a powerful set of originals at its core, alongside a trio
of leftfield covers in the shape of Nirvana’s Heart-Shaped Box, Kwabs’
Wrong or Right and Three Trapped Tigers’ Cramm. It’s a record that
resounds with humour, charm and the hum of the glorious variety of
musical genres that emanate from their hometown.
Album opener Jump Then Run echoes the sound of the legendary Moondog,
while Gather Your Wits is a roof-raising rumble of brass and rebellious
behaviour. Wrong or Right, a soulful version of London soul star Kwabs’
great tune, comes to life with juicy menace before The Morning, an
uplifting anthemic arrangement, builds into joyous hedonism. When You
Know gives space to the band’s superb jazz chops, while album title
track Sharpener is a big, bold, brassy and utterly mesmerising affair.
It’s perhaps the band’s outstanding arrangements which sets them apart.
From the intricacies of Timelapse to the introspection of Reawake, from
the punky rock groove of It’s Normally Bigger (based on a true story) to
the rave jazz of Bread and Circuses, the arrangements throughout
showcase writers Olly Blackman, Luke Christie and Steve Pretty’s
contrasting styles, able to switch from screaming energy to moody
introspection, from cutting-edge jazz to dancefloor rave, and proving
that Hackney Colliery Band is not just another party brass band blowing
through the usual pop covers.
Alongside their critically-acclaimed releases, Hackney Colliery Band
have really stormed the live circuit, selling out two-night runs at
Wilton’s Music Hall and the Jazz Café in London, playing main stages of
festivals including Field Day, Love Supreme, Wilderness, Cheltenham
Jazz Festival and many more, and even performing a 45-minute set in the
Olympic stadium as part of the Closing Ceremony of the London 2012
Olympics. On the international circuit they’ve performed in clubs and
festivals from Sziget in Hungary to G! Festival in the Faroe Islands,
and in countries including Slovenia, Montenegro, Italy, Kosovo, France,
Austria, Holland, Germany and Ireland.
But the band are never content to rest on their laurels or to keep
things simple, and are keen collaborators. Over the years they’ve run a
series of experimental music nights at Ronnie Scott’s, a weekly new
material night in venues across London, and worked with collaborators
including Amy Winehouse, Fyfe Dangerfield, Eliza Doolittle, Jamie
Cullum, Andreya Triana, Williams Fairey Band, Rhodes and DJ Yoda. More
leftfield collaborations have even included working with a sausage maker
on the ‘Hackney Colliery Banger’ and with legendary London brewery
Truman’s on their own hugely popular ale ‘Bold as Brass’!
They have performed live sessions on Radio 2 and Jazz FM and their
performances have been featured on BBC Two (The Culture Show), Sky Arts
(Brass Band Wonderland) and live at the BRIT, Mercury and MOBO awards.
With Sharpener their most exciting work to date, a tour taking in more
venues than ever before and a collaborative EP out in the autumn, 2016
looks set to be a huge year for Hackney Colliery Band. HACKNEY COLLIERY
BAND
Etichette:
Album,
Band,
Funky,
HackneyCollieryBand,
Indie,
Jazz,
JazzRock,
Musica,
Recensioni,
Soul
60 GRIT BAND "SELF-TITLED"
A small town group with big city talent, the 60 Grit Band has been
transcending generes and expectations throughout Southern California
since 2011. Breaking the boundaries of traditional blues, the band draws
a heavy infulence from classic and modern rock, rhythm and blues, old
time soul, and reggae.Singer and rhythm guitarist David Ferguson has a dynamic range and
entertaining presence on the stage. Frank Orecchio, on lead guitar,
plays with spirit and a swagger matched by no other. On bass, Brian
Haringa plays from his soul and is the backbone of the band. A true
showman on harmonica, Jeremiah Kiser plays imaginative leads and subtle
rhythms. And Nick Coffey plays the drums with relentless energy and
unwavering timing. Together, they play with passion and an element of
"grit" that truly sets them apart from other blues/rock acts, and
because they leave their hearts on the stage every show, you will never
regret attending one.The 60 Grit Band's debut, self-titled album is an eclectic and
energetic blend of genres and styles. Though it's rooted in the blues,
the album has a fresh and soulful sound that is appreciated by audiences
of all ages, and one that you can just let play from front to back. The
album is available on iTunes and all the major online music retailers,
and also on our website. 60 GRIT BAND
Etichette:
60GritBand,
Album,
Band,
Blues,
BluesRock,
Musica,
Recensioni,
Soul
CHRIS HOLM "OH THESE HARD TIMES"
Chris Holm is a solo acoustic folk blues artist from Minneapolis, Minnesota. Chris plays guitar, banjo and harmonica and
writes many of his
own songs in addition to performing old blues, country, folk, and gospel
songs. Chris is also the bass player of The 4onthefloor and vocalist
and multi-instrumentalist of The Fattenin' Frogs.This
collection of songs goes out to all the stops along the way I've
encountered in my travels over the past year; the people, the places,
the experiences that only come with being out on the road. These songs
were composed such places as state parks, rest areas, beaches, parking
lots, and mountaintops all across the United States. For me, without the
road, there are no songs.All songs written by Chris Holm. Engineered, mixed and mastered by
Jeremy Johnson, Barking Jack Studio, North Saint Paul, Minnesota. Cover
photo by Carrie Haugan Photography. CHRIS HOLM
Etichette:
AcousticBlues,
Album,
Blues,
ChrisHolm,
Country,
Folk,
Gospel,
Musica,
Recensioni,
SongWriter
domenica 21 agosto 2016
EARL T AND THE TATTERED HEARTS "DEUCE"
Earl T and the Tattered Hearts started out as solo project to write,
record and distribute original blues based material. It quickly ended up
being a lot more...Before the first album was released, the band was put together and
was playing the Houston club scene. Comprised of Earl T on guitar and
vocals, Don Whitt (Artimus Pyle) guitar and vocals, Quentin Calva
(Milton Hopkins) on bass and Mike Lawson (Billy Joe Shaver) on drums,
these guys haven't looked back.Their first release "Daddy's Home" in 2015 began receiving airplay as
soon as released and the title cut quickly became a crowd and radio
favorite. Full of great songs, "Daddy's Home" established the Tattered
Heart sound: killer grooves, great guitar hooks and intelligent (and
often humorous) lyrics.Almost immediately, they began working on a second album while
performing through the first part of 2016. The second album "Deuce" was
completed in May of 2016 and builds on the concept of excellent original
blues based songs but expands into Mussel Shoals styled R&B
flavors, acoustic country blues and upbeat rockers.EARL T AND THE TATTERED HEARTS
Etichette:
Album,
Blues,
BluesRock,
Classical,
Country,
EarlTAndTheTattertedHearts,
Musica,
RB,
Recensioni,
Rock
SCOTT BRADLEE'S POSTMODERN JUKEBOX "PMJ AND CHILL"
Postmodern Jukebox, also widely known by the acronym PMJ, is a rotating music collective founded by arranger and pianist Scott Bradlee
in 2011. PMJ is known for reworking popular modern music into different
vintage genres, especially early 20th century forms such as swing and jazz. In its first few years of existence, Postmodern Jukebox has amassed over 500 million YouTube views and 2 million subscribers.Each week, Postmodern Jukebox puts out a new video on YouTube, most of
which are filmed casually in Bradlee's living room. The band has covered
songs by artists ranging from Lady Gaga and The Strokes to Katy Perry and the White Stripes.
Since their beginnings as a small group of friends making music in a
basement in Queens, New York, Postmodern Jukebox has gone on to feature
70 different performers and tour four continents.The origins of Postmodern Jukebox came when Bradlee began shooting
videos with his close friends from college in his small basement
apartment in Astoria, Queens.Bradlee struggled post-college as a jazz musician in the New York City area for years before hitting it big with his first viral video in 2009 – “a medley of ‘80s songs done ragtime style.” A tweet from famed author Neil Gaiman was the beginning of his eventual online viral popularity. SCOTT BRADLEE'S POSTMODERN JUKEBOX
In early February 2016, Postmodern Jukebox covered the late David Bowie’s classic song "Heroes" in honor of World Cancer Day – featuring vocals by Nicole Atkins. The track was sold on iTunes to earn money for the Cancer Research Institute.[39] At the same time, PMJ launched a program called "Reboxed," consisting of new versions of songs that had already been covered by PMJ. The first Reboxed song was Niemietz (and the Sole Sisters) singing "Bad Romance" which had previously been sung by Ariana Savalas (feat. Sarah Reich tap dancing).
PostmodernJukebox
giovedì 30 giugno 2016
DENNIS JONES "BOTH SIDES OF THE TRACK"
High-energy stage performance. Sizzling hot guitar solos. Smooth and
soulful vocals. Backed by a rhythm section that is second to none, this
IS Dennis Jones. Check out a live show, and you’ll instantly agree, this
band ROCKS the blues like NO other!
Dennis's feet are firmly rooted in the past, yet his heart and soul
are connected to the present. He writes songs that seamlessly blend the
best of both worlds, presenting a unique and contemporary style of
American rock and blues.
Born and raised in Baltimore, Maryland, and now based in Los
Angeles, California, Jones continues to pursue his musical ambition of
becoming a top entertainer in his field. With four well-regarded CD
releases to date, and a fifth to be released in January 2016, Jones'
vision has never been clearer.
Dennis also writes songs for other notable artists, e.g. he wrote
the song Temporary Man for Guitar Shorty’s 2010 Alligator release, Bare
Knuckle.
Since 2003, Dennis has released four successful albums on his own
label, Blue Rock Records. Each and every one of these CDs has met with
rave reviews. Many of his songs and CDs have hit the top 10 on the Blues
Charts, including when his 3rd CD, Pleasure & Pain, ranked #2 of
best blues CD releases of the year, by the Canadian-based, Real Blues
Magazine. He's latest release, My Kinda Blues, features legendary guest
musicians, Kenny Neal, and Guitar Shorty.
Dennis is no stranger to film either. Deep Blues from his first CD,
Falling Up, was featured in a 2006 Lions Gate movie, Sea of Fear. The
title track of Dennis’s 2nd CD, Passion for the Blues, is featured in
the 2013 independent film, How We Got Away With It. Finally, Dennis is
one of several artists featured in the documentary film Babe’s &
Ricky’s Inn, a movie about one of the oldest blues clubs in Los Angeles,
and its adored owner.
The blues music industry is taking note. In May 2012, Dennis was
honored to present the Awards for BB King Entertainer of the Year, to
Tab Benoit, and Album of the Year, to the Tedeschi Trucks Band, for
Revelator, at the Blues Music Awards in Memphis, Tennessee.
Dennis and his band continue to work hard to achieve the next level
of musical success. Increased touring opportunities and greater exposure
to new fans will undoubtedly make this band a household name. So if the
same old blues has got you down, then it’s time to check out the Dennis
Jones Band!
DENNIS JONES BAND
Etichette:
Album,
Band,
Blues,
DennisJones,
GuitarBlues,
Musica,
Recensioni,
SoulFul
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