In October 2012, vocalist Chelsea Reed brought five of her friends
together to play some tunes in a South Philly dining room. Secretly, her
plan was to form a band that played for swing dancers, so she could
finally have the chance to sing her favorite songs for an audience that
loved early jazz as much as she did. Since that fateful afternoon, those
unsuspecting handsome men have comprised the Fair Weather Five: Noah
Hocker on trumpet, Chris Oatts on saxophone, Jake Kelberman on guitar,
Joe Plowman on bass, and Austin Wagner behind the drums.Now, over a year later, Chelsea Reed and the Fair Weather Five are at
home at swing dances, jazz clubs and concert halls alike. They have
played renowned Philadelphia venues like the Kimmel Center and World
Cafe Live in addition to touring around the country in a trusty blue
van. They love exploring the roots of jazz and finding creative ways to
interpret forgotten songs. Drawing upon the influence of artists such as
Bessie Smith, Fats Waller, Louis Armstrong and Billie Holiday, Chelsea
Reed and the Fair Weather Five bring the intensity and passion of early
jazz to every stage they play to put on one heck of a show. CHELSEA REED AND THE FAIR WEATHER FIVE
sabato 8 novembre 2014
CHELSEA REED AND THE FAIR WEATHER FIVE "CHELSEA REED AND THE FAIR WEATHER FIVE"
Etichette:
1920,
1930,
Album,
ChelseaReed,
Dance,
FairWeatherFive,
Folk,
Jazz,
JazzVocals,
Musica,
Recensioni,
Swing
lunedì 3 novembre 2014
FO' REEL BAND "HEAVY WATER"
Heavy
Water, performed by Fo’Reel includes an all-star performance by C.P.
Love, legendary New Orleans soul singer; Johnny Neel, Grammy Award
winning keyboardist; Jon Smith, renowned tenor saxophonist; Rick Lawson,
singer songwriter; Daryl Burgess, drums; Allyn Robinson, drums; David
Hyde, Bass; Ward Smith, baritone sax; Barney Floyd, trumpet; Mark
Domizio, guitarist and creator of the project.Heavy
Water is a high energy blend of Contemporary Blues that includes a lot
of funky grooves that will make you want to move. Every song on the CD
is a joy to hear, the vocals are passionate, the guitar playing is deep
and full of emotion and the keyboard and horns are a driving force to
the overall distinctive style and sound. Anyone who enjoys strong
driven, energy filled music will love this CD. It not only embraces
traditional Blues, but it hits the listener with a variety of
interesting styles like Swing, Funk, R&B and a Latin tinged Rumba. FO' REEL BAND
Etichette:
Album,
Blues,
FoReelBand,
FunkyBlues,
Groove,
Musica,
Recensioni
THE GRAVEL PROJECT "THE GRAVEL PROJECT"
The Gravel Project is a Boston based band with a sound that spans
multiple genres, including modern blues, funk, and rock. Having played
to packed rooms at various clubs throughout Greater Boston, including
The Middle East, Church, Tommy Doyles (former House of Blues), in
addition to a residency at The Savant Project, The Gravel Project
electrifies crowds with both inventive original songs and creative
interpretations of well known classics. With the release of More Ways
Than One, the band’s first full-length album, The Gravel Project has
taken great strides to further define and solidify their musical style.
The breadth of material on the album is both impressive and expansive,
spanning everything from the smoldering Muscle Shoals soul groove of
Dollar Bill, to the eccentric back-beat driven Lost, and the infectious
funk-based arrangement of The Beatles I’ll Cry Instead.The Gravel Project is the brainchild of guitarist/singer/songwriter,
Andrew Gravel. Though a Boston native, Gravel lived in both England and
Australia for three years. While abroad, Gravel was a first-call
guitarist for a number of well known acts on the London blues circuit,
which led to tours throughout Europe and Australia. After relocating
back to the US, Gravel was the guitarist for the legendary Martha’s
Vineyard based Entrain before forming The Gravel Project. Marking a milestone event for the band, and demonstrating an inspired
growth in their songwriting and stylistic definition, the release of
More Ways Than One speaks to music lovers of many stripes and colors,
garnering new, enthusiastic fans with each listen. Drawing on influences
from the danceable grooves of bands like The Meters, the raw soul of
B.B. King, the psychedelic ambition of The Allman Brothers, and the jazz
complexities of John Scofield, The Gravel Project pushes funk and blues
into fresh new territory, while maintaining a strong connection with
the roots.
THE GRAVEL PROJECT
Etichette:
Album,
Blues,
Boston,
Funk,
Fusion,
Jazz,
Musica,
Recensioni,
TheGravelProject
domenica 2 novembre 2014
HOWELLDEVINE "MODERN SOUNDS OF ANCIENT JUJU"
Joshua Howell started
playing harmonica when he was 14, and by 17, he was sitting with many
of the San Francisco Bay Area's blues bands. He quickly became the
desired house harmonica player in clubs such as Eli's Mile High and Your
Place Too, though his under-age status limited his exposure to only
those clubs that could circumvent the age restrictions. During this
period, he took up guitar, intently focused on learning the techniques
of the Mississippi greats such as Fred McDowell, Bukka White, Robert
Johnson and RL Burnside. While living in Santa Cruz, Joshua pursued a
successful career in guitar making, developing the Howell & Forsyth
Guitar Company. Though he continued to focus on playing music and
gigging locally, music as a profession took a back seat to lutherie. It
wasn't until he moved to Thailand that he dedicated himself entirely to
musicianship, taking on over 15 gigs a week as a solo artist. After
three years playing professionally in Thailand's mountainous north,
Joshua returned to the U.S. and continued to perform in the San
Francisco Bay Area. When he crossed paths with drummer and percussionist
Pete Devine, they recognized their similar influences and musical
sensibilities. Their common approach effortlessly generated a powerhouse
combo of inspired and unaffected blues. HOWELLDEVINE
Etichette:
Album,
Blues,
Delta,
HowellDevine,
Mississippi,
Musica,
Recensioni,
SanFrancisco
MELLY FRANCES AND THE DISTILLED SPIRIT "THE ALBUM"
Melly
Frances & The Distilled Spirit is a USA based American blues, rock
and soul band formed in 2012 by vocalist and songwriter Melly Frances.
They are set to unveil their first studio album cleverly titled "The
Album" on May 1st 2014 as unsigned artists independent from a record
label. The band--Melly Frances (lead vocals, songwriter), Bryan Whelan
(guitar), Matthew Labarber (bass, vocals), Peter Williams (drums), Devon
Shae (fiddle) and Lance Dieckmann (harmonica). Frances brings forth
hard-hitting soul vocals that deliver a blast from the past. Singers
like Bonnie Raitt, Susan Tedeschi, Janis Joplin, Nina Simone, Otis
Redding, and Etta James are key influences and can be heard in her
raspy, sultry, vocal style. The band themselves are a classic fusion of
these roots rock favorites: The Black Crowes, Alabama Shakes, Led
Zeppelin, Marshall Tucker Band, The Band, Canned Heat, Little Feat, Neil
Young with Crazy Horse, Van Morrison, & The Rolling Stones. MELLY FRANCES AND THE DISTILLED SPIRIT
Etichette:
Album,
Americana,
Blues,
Folk,
MellyFrances,
Musica,
Recensioni,
Rock,
Soul,
TheDistilledSpirit
THE BRANDEE YOUNGER QUARTET "LIVE AT THE BREEDING GROUND"
Harpist Brandee Younger, is known for sharing the stage with Jazz
Royalty Jack Dejohnette & Ravi Coltrane, laying down tracks with
Grammy-Winning Rapper Common and Artist and Producer Ryan Leslie, as
well as bringing to life the Classic Impressionistic work of Maurice
Ravel. Her ability to feature the Harp in genres of music where the
instrument is often absent is a testament of her love for the
instrument, and her cross-reaching ability as a musician.The Brandee Younger Quartet makes you rethink the traditional jazz
combo. No piano...instead, a concert harp, upright bass, drumset &
tenor sax/vocalist, the sound is reminiscent of vintage Dorothy Ashby
and ethereal Alice Coltrane, with a whole new identity. THE BRANDEE YOUNGER QUARTET
THE HALLEY DEVESTERN BAND "FABBO! BOFFO! SMASHO!"
Halley was born in Manhattan and moved around the US before settling
back in New York City, where she and the band call home. Halley’s voice
is huge - somewhere between Janis Joplin and Aretha Franklin. She
earned a BFA in acting at Boston University, and that pedigree shows in
the her performances. In fact, Halley fronted Janis Joplin’s legendary
band, Big Brother and the Holding Company, on a recent US tour and
brought down the house every night.Well-seasoned road gods, the band members have earned their chops with
the likes of Roger Waters, Shawn Mullins, Muddy Waters, Taj Mahal,
Gatemouth Brown, Zen Tricksters, and Mickey Dolenz. Halley and the band
have shared the stage with Gov’t Mule, Bonnie Bramlett, Jimmie Vaughan,
Son Seals, Johnny Winter, Donna the Buffalo, John Hammond and Antigone
Rising. THE HALLEY DEVESTERN BAND
Etichette:
Album,
Band,
Blues,
Funk,
Musica,
Recensioni,
Roots,
TheHalleyDevesternBand
martedì 28 ottobre 2014
MONIQUEA "YES NO MAYBE"
Moniquea was born in Gary, Indiana and raised in Pasadena, California.
She vividly recalls watching her mother rehearse as a lead singer
alongside other relatives and friends in the Pasadena-branded group The
Roses. As a youth, she was exposed to countless volumes of 70’s soul and
the electrified sounds of 80’s R&B, which shaped her sound
immeasurably. Today, she counts a wide range of artists as influences,
from Deniece Williams and Etta James to Stevie Nicks. Her voice carries
two distinct characteristics that play into each other perfectly – A
“so-retro-it’s-actually-new” twang that harks back to Evelyn “Champagne”
King; the second, a jazzy vibrato that easily evokes the tender, smoky
voice of Erykah Badu or even Billie Holiday. Moniquea is vocally
equipped to sing contemporary R&B/soul, go the Amy Winehouse route,
or bring back the synthy, dance-friendly sound of 80’s boogie funk – her
current musical direction. MONIQUEA
Etichette:
Album,
BoogieWoogie,
Electro,
Funk,
Moniquea,
Musica,
Recensioni,
Soul
sabato 25 ottobre 2014
LIZ MANDEVILLE "HEART 'O' CHICAGO"
Born
and raised into a musical family in Wisconsin, guitarist and singer Liz
Mandeville grew up in an arts-filled environment. Her father played
guitar and sang folk songs while taking classes at the Art Institute of
Chicago on the GI bill. He taught his daughter to paint and sing, and
Liz often accompanied her father to art museums, gardens and art
galleries, wherever his work took him. Her mother was an actress and she
saw to it that her daughter had a proper education in the theater arts
as well, something which came in handy many years later when Mandeville
decided to pursue a career as a blues singer.Musicians
and artists were frequent guests in the Mandeville's home, and the
young Mandeville was encouraged to write songs, poetry and short
stories. Family vacations around the south exposed young Liz to blues,
bluegrass, traditional country and folk music and New Orleans jazz and
funk.Her first professional gigs were in coffee
houses around Wisconsin, playing songs her father had taught her. She
cited as influences on her earliest attempts at music people like James
Brown, Muddy Waters and Lightnin' Hopkins.Known
previously as Liz Mandeville-Greeson, Mandeville played the bars in and
around Chicago for most of the '90s and 2000s, and she made occasional
tours to points east — New York City — and West, to California, as well
as many cities and towns in between. She spent much of the late '80
touring across the U.S. and Canada by van with her then-band, theSupernaturals. During the 2000s, she worked with a band called the Blue
Points.In 1994, she met Chicago bassist Aron
Burton and subsequently performed with him at the 1994 Chicago Blues
Festival. She recorded two tracks with him on his 1996 album, Aron
Burton Live, and that led to her being signed to Michael Frank's Earwig
Music Company.Between 1994 and 1999, Mandeville was
a frequent sight on stage at the Blue Chicago nightclubs, where she had
the chance to work with a short who's-who of Chicago-area musicians,
including Willie Kent, Maurice John Vaughn and Michael Coleman. She
recorded her first two albums with musicians from that scene,including
Burton on bass, Allan Batts, keyboards, and drummer Dave Jefferson.Among
her awards and distinctions: she was nominated for Blues songwriter of
the year in 2008 by the American Roots Music Association, was named
semi-finalist in the 2006 International Songwriting Competition for her
composition, "Life Sentence of the Blues," and she received an award in
2005 for Best Songwriter in the USA Songwriting Competition, for her
humorous tune, "He Left It in His Other Pants."Her
albums, showcasing her spry, sometimes humorous original songs, all for
the Chicago-based Earwig Music label, include 2008's Red Top, Back in
Love Again (2002), Ready to Cheat (1999) and Look at Me (1996). She has
performed on a slew of other albums by Chicago-based blues performers,
including Johnny Drummer's 2000 release, Unleaded Blues, Aron Burton's
Live from Buddy Guy's Legends and a compilation of Chicago-area women
blues singers, Red Hot Mamas for the Blue Chicago label. LIZ MANDEVILLE
Etichette:
Album,
Blues,
ChicagoBlues,
LizMandeville,
Musica,
RB,
Recensioni,
Roots,
RootsSinger,
SongWriter,
Soul
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