'Holly' embodies the struggle of his early forays. During “This Is a
Game,” Waterhouse sets up a snarly, post-surf guitar solo with a
succinct statement of a cynical outlook: “This is a game / Please
remember my words / And don’t get upset when you don’t get what you
think you deserve.” And on the gothic-soul strut “Let It Come Down,” he
meditates on the inevitability of pain. “If there’s gonna be rain
tonight,” he sings in a stoic croon. “Let it come down.”
It’s clear from this material that Waterhouse is in the midst of his own
becoming. He isn’t the type to let ecstasy take over, like Van
Morrison, or to drawl away in a consum- mately laid-back register, like
Mose Allison. In the tension between his wry lyrics and crisp
arrangements, you hear the expression of a worldly skeptic who’s
also—when it comes to his art—a sanctified believer. Whoever it was that
Nick Waterhouse wanted to be matters less now; these days, he just
sounds like himself. NICK WATERHOUSE
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