Portland-based quintet The Ocular Concern presents a new album of
contemporary music composed by co-leaders Dan Duval and Andrew Oliver.
The album’s centerpiece is a four-movement suite for the quintet plus
string trio and bandoneon inspired by the globalized world of the 21st
century and based on the names of Portland’s sister cities worldwide.
The album features the group’s wide ranging stylistic aesthetic, tied
together by an emphasis on strong interlocking grooves, catchy melodies,
and intuitive group interplay. The four-movement suite adds violin, viola, cello and bandoneon, the
traditional Argentine tango accordion to the existing instrumentation of
Lee Elderton on clarinet, Andrew Oliver on electric piano, Dan Duval on
electric guitar, Nathan Beck on vibes and mbira (Zimbabwean thumb
piano), and Stephen Pancerev on drums. Though the instrumentation at
first glance may seem intentionally bizarre, the nonet blends diverse
timbres and styles into a soundscape perfectly suited to Duval and
Oliver's wide reaching compositional aesthetic. The suite opens with
"Sister Cities," a gospel-tinged tune leading to "Portland in Reverse,"
featuring the strings in a reflective chamber mood before the
introduciton of a Senegalese-inspired beat. "Ghost Town City Council"
brings in a western twang and creepy atonal use of the mbira before
resolving into the "Island Milonga" with a catchy tango feel to round it
out.
The other tracks in the album feature the quintet exploring a variety of
grooves from the contemporary odd meters of "The Ocular Concern" and
"The Eclectic Piano" to a more Zimbabwean-styled trancey beat of
"Lafayette" and the serene, chorale-like "William S. Burroughs, LET'S
GO!" Throughout, Stephen Pancerev's intuitive drumming and the
interlocking blend of guitar, keyboard, and vibes lays a strong
framework for strong and catchy melodic statments, minimalist textures,
and Lee Elderton's spontaneous and brilliant clarinet improvisations.
THE OCULAR CONCERN
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